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rugs.turkmens.net
carpets.turkmens.net
A movie about
Turkmen carpet
Türkmen Haly Niyazi (türkmenje)
Rugs and Carpets
Classifications and Definitions by:
"ASHGABAT RUG PLANT"
Carpet-weaving is one of the most
ancient forms of Turkmen applied art. Each woman was taught this
iraditional art from the early age.
The magical beauty and longevity of
Turkmen rugs come from the traditions of carpet-weaving, that reached high
perfectness and artistic expressiveness of gel during the many centuries of
its existense.
It's hard to say when the Turkmen people
began to weave their first rugs, too hard. We may just suppose that they
weave them from the very ancient time.
  
Pile carpet-weaving
is. a complicated and long process. Just skilis in accordance with rare
artistic talent based on the ancient traditions make possible tlýe creating
of infinitely compticated and varied carpet patterns using the most
primitive means of production.
Carpet-weaver creates the whole
composition and ornamentation of the rug only by means of her 'imagination
and memory, combining patterns in a new interpretation. That's why the
creative activity prevail in production of rugs.

The chief role in Turkmen rugs is played
by ornamentation with its general components - main and supplementary
"gels". The origin of ornamental carpet designs has realistic
basis. Just reality was reflected in the carpet design: surrounding nature,
tife and habits of Turkmen peopie. The weavers reflect their feelings and
dreams, joy and grief, their hopes and wishes. If you look more attentive
you'll see the history of origin of Turkmen people, tribe, region and
nature of the weaver. Besides, the gels express heroism, courage arýd
devotion to the Motherland.
The gels of ancient
tribes are kept in modern Turkmen rugs. Thanks to the Salor and Choudour
rugs we have now the tribe gels of old Turkmen tribes that played the
leading role in Turkmenia oF XI-XIV centuries. The Salor tribes are still
consider to be initiators of Turkmen carpet-weaving. And in the end of the
XIX century, when the Salors practically stop the carpet-weaving, Saryk and
Tekke rugs with the very popular "Salor-gel" design appear on
trade markets. The nature gave to Turkmens all necessary to make their
carpets fine and durable.

The yarn for the
production of rugs is gotten from the wool of Sarajin sheep. Having
absorbed the heat and cold, dyes and perfumes oF the environment, this wool
is in accordance with the world standards.
The yarn was dyed by the vegetable
dye-stuff, strictly in accordance with traditions. The natural dye-stuffs
were used till the quarter of XIX century. And since the end of XIX century
the synthetic aniline dyes became wide-spread.

The cotoring of
Turkmen rugs is refined and reserved. The main color is red, begining from
the bright holiday color and till the dark cherry and brown colors. IYs complemented
by pieces of yellow, dark green, blue, dark blue and white colors. The
center is framed by dark blue, dark brown and sometimes black colors. The
white details of a gel accord with the whole coloring because of the
natural color of the wool - warm brown color. The surface of rug is
remarkable by the depth of a color, velvety and light twinkling. This
twinkling is intensified of prolong using.
Modern classification divides the Turkmen
rugs into three groups:
These are:
I. Teke rugs, Akhal-Teke
rugs, Pendi rugs.
II. Yomut rugs, Choudour
rugs.
III, Beshir rugþ, Kerki
rugs, Kizylayak rugs.
All these groups are differed from
each other by decorations, patterns, coloring, density and height of a
pile. In turn, each group unites the rugs ot various designs which have
their own beauty.
   
The main merit of
Turkmen rug is density, provided by skills of the carpet-weavers. They
could tie from 180 to 400 knots to a square meter.
There's one merit else: its dyes become
more fine and the rug turns into a real masterpiece of art. By its
technical fulfilment and aesthetic contents, the Turkmen rug may be concern
to antiquariate.
  
Nevertheless, our main
wealth - the Turkmen : women to whom a big role in revival of the Turkmen
rug's fame belongs. Their hands create ihe real masterpieces of art,
preserving and multiplicating tradititions of the ancient handicraft. They
pass these traditions and secrets of ornamentation and dyes from one
generation to another.
  
The fame of beauty and
high quality of Turkmen rugs is known in tens of countries of all
continents of our planet. This can be confirmed by numerous international
awards at the International Exhibitions and Fairs in Paris
and Montreal, Leipzig
and Brussels.
Among them - a Grand Prix, eight gold and one bronze medal.
Remarkable Akhal-Teke carpet with
"Gushly-gul" design and with the
density of 1 148 000 knots per sq.meter.
Akhal-Teke carpet with "Gushly-gul"
design.
Rug Gifts.
Yomut carpet with "Gunchaly pendi"
design.
Yomut carpet with "Gabsa-gul" design.
Yomut carpet with "Gabsa-gul" design on
a fown background.
Yomut carpet with "Zerbaf" design.
Kerki carpet with "Onurga-gul" design.
Kerki carpet with "Charkhy-pelek"
design.
Kerki carpet with "Onurga-gul" design.
Beshir carpet with "Yilan-beshir"
design.
Teke chuval with "Aina gul" design.
Akhal-Teke carpet with "Kejebe-gul"
design.
Chodour carpet with "Kyrk-shakh" design.
Teke carpet with "Gushly-gul" design.
Gizilayak carpet with "Derveze gul"
design.
Beshir carpet with "Guneshly" design.
Beshir carpet with "Geraty" design.
Yomut carpet with "Salir gul" design.
Yomut carpet with "Guncha-gul" design.
Rug namazlyk with "Ak gochak" design.
Akhal-Teke carpet with "Pendi" design.
Pendi carpet with "Pendi-gul" design.
Yomut carpet with "Pyshbaga" design.
Teke ensi with "Dogadjak" design.
Yomut ensi with "Bovrek" design.
Akhal-Teke white chuval with "Ak gochak"
design.
Akhal-Teke carpet with "Gushly-gul"
design against a fawn background.
Gizilayak carpet with "Dervaze gul"
design.
Yomut carpet with "Salir gul" design.
Yomut carpet with "Dyrnak-gul" design.
Beshir carpet with "Geraty" (yaprak)
design.
Rug Gifts.
Kerki carpet with "Gully-gul" design.
Choudour carpet with "Ortmen" design.
P H O T O E S


World Largest Carpet
Classifications and Definitions by
Book:
"Turkmen folk art"
1990
How they made:

and finally goes to bazaar.
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Gara öüün gapysyna
tutmak üçin "Ensi". Ashgabad. Halyçy O. Bayramdurdyÿevaç XXa.
Birinji çärÿegi. Ÿün, natural renkler.
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Gara öüüñ gapysyna
tutmak üçin dokalan halynyñ bölegi."Eñsi".
Pendiler, saryklar, XX a. baþy. Ÿüñ,
hakyky renkler.
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Öÿe düþemek üçin
dokalan halynyñ bölegi.
Krasnovodsk ÿomutlar, 1940 ÿ.
Ÿüñ, kimiki reñkler.
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Ovnuk öÿ esbaplaryny
saklamak üçin "Torba".
Çarþañny, salyrlar. XX a. baþy.
Ÿüñ, garyþyk reñkler.
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Ojak baþyna düþemek
üçin dokalan halyçanyñ bölegi "Ojak baþy".
Çarþañny, salyrlar. XIX a. baþy.
Ÿüñ, hakyky renkler.
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Düþek üçin
"haly"
Aþgabat, tekeler. 1960 ÿ.
Ÿüñ, kimiki reñkler.
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Ovnuk öÿ esbaplaryny
saklamak üçin "Torba".
Merv. Tekeler. XIX a.
Ÿüñ, Pagta ÿüpek, hakyky reñkler.
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Düþemek üçin dokalan
halydan bölek "haly".
Ahal tekeler. XIX a.
Ortasy ÿüñ. hakyky reñkler.
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Düþeklik
"haly".
Beþir, ärsarylar. 1960 ÿ.
Ÿüñ, kimiki reñkler.
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Düþeklik halydan
bölek "haly".
Krasnovodsk yomutlar. 1960 ÿ.
Ÿüñ, kimiki reñkler.
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Düþeklik halydan
bölek "haly".
Beþir, ärsarylar. 1970 ÿ.
Ÿüñ, kimiki reñkler.
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Düþeklik
"haly".
Krasnovodsk. Halyçy A. Mahmutova. 1916
ÿ.
Ÿüñ, garyþyk reñkler.
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Düþeklik halydan
bölek "haly".
Burdalyk, Beþir. XIX a. soñy.
Ÿüñ, hakyky reñkler.
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Egin-eþik saklamak
üçin dokalan "çuval".
Kerki-Beþir. ärsarylar. XIX a.
soñy.
Ÿüñ, ÿüpek, garyþyk reñkler.
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Ojak baþy üçin
halyça. "Ojak
baþy"
Kerki. Halaç. 1910-1915 ÿÿ.
Ÿüñ, hakyky renkler.
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Gapy bezegi üçin
"Gapylyk".
Krasnovodsk çikiþli, ÿomutlar.
XX a. birinji ÿarymy. Ÿüñ, garyþyk
reñkler.
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"Namazlyk"
Krasnovodsk ÿomutlar.
XX a. baþy.
Ÿüñ, garyþyk reñkler.
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Gapy bezegi üçin
"Gapylyk".
Pendi, tekeler XX a. baþy.
Ÿüñ, Pagta, garyþyk reñkler.
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Ovnuk esbaplary
saklamak üçin "Torba".
Çarþaññy, saragt, salyrlar. XIX a.
Ÿüñ, ÿüpek, hakyky reñkler.
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Ovnuk esbaplary
saklamak üçin "Torba".
Farab, Çovdurlar. XIX a. baþy.
Ÿüñ, hakyky reñkler.
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Ovnuk esbaplary
saklamak üçin "Torba".
Çarþaññy, salyrlar. XIX a. soñy.
Ÿüñ, hakyky reñkler.
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Ovnuk esbaplary
saklamak üçin "Torba".
Demirgasyk, Türkmenistan, arabsrlar.
XIX a. ikinji yarymy.
Ÿüñ, hakyky reñkler.
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"Torba"
Burdalyk-Beþir, ärsarylar. XIX a. baþy.
Ÿüñ, hakyky reñkler.
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Öÿ esbaplaryny
saklamak üçin "Torba".
Demirgazlyk. Türkmenistan, igdirler.
XX a. baþy.
Ÿüñ, Pagta , garyþyk reñkler.
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"Torba"
Kerki, ärsarylar. XIX a. soñy. XX a.
baþy.
Ÿüñ, garyþyk reñkler.
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"Torba"
Kerki, ärsarylar. XIX a. ikinci ÿarymy.
Ÿüñ, hakyky reñkler.
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"Torba"
Burdalyk-Beþir. XIX a. soñy.
Ÿüñ, garyþyk reñkler.
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"Torba"
Burdalyk-Beþir, ärsarylar. XX a. baþy.
Ÿüñ, garyþyk reñkler.
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Gapa asmak üçin
dokalan "eñsi"
Krasnovodsk ,ÿomutlar.
XIX a. soñy.XX a. baþy.
Ÿüñ, hakyky reñkler.
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Öÿ esbaplary üçin
"Torba".
Beþir. ärsarylar.
XX a. baþy.
Ÿüñ, hakyky reñkler.
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Gapa asmak üçin
"Gapylyk".
Günbatar Türkmenistan, ÿomutlar. XIX
a.
Ÿüñ, hakyky reñkler.
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Egin-eþikleri
saklamak üçin "Çuval"
Demirgazyk, Türkmenistan igdirler.
XXa. baþy.
Ÿüñ, Pagta , garyþyk reñkler.
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Egin-eþikleri
saklamak üçin "Çuval"
Büzmeÿin, Tekeler.
XXa. baþy.
Ÿüñ, garyþyk reñkler.
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Gara öÿüñ, tüsse
çykar ÿerine dokalan
"Umur guman"
Aþgabad, Tekeler. XX a. birinci
çärÿegi.
Ÿüñ, Pagta , garyþyk reñkler.
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Egin-eþikleri
saklamak üçin "Çuval"
Aþgabad, Tekeler.
XIX a. soñy. XXa. baþy.
Ÿüñ, Pagta , garyþyk reñkler.
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Düÿe bagy
"Burunlyk".
Krasnovodsk, ÿomutlar.
we, Pendi, saryklar.
XIX a. soñy. XXa. baþy.
Ÿüñ, garyþyk reñkler.
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Ovnuk esbaplary üçin
"Torba".
Farap, çovdurlar. XIX a. soñy
Ÿüñ, hakyky reñkler.
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"Torba"
Farap, çovdurlar. XX a. baþy.
Ÿüñ, garyþyk reñkler.
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"Torba&quo | |